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By Christina Normore

To learn debts of past due medieval banquets is to go into a fantastical international the place reside lions shield nude statues, gilded stags burst into music, and musicians play from inside of pies. we will be able to virtually pay attention the clock sound from inside a pitcher fort, flavor the fire-breathing roast boar, and scent the rose water cascading in a miniature fountain. Such shiny artistic endeavors and function required collaboration between artists in lots of fields, in addition to the participation of the audience.

A banquet for the Eyes is the 1st book-length examine of the courtroom banquets of northwestern Europe within the fourteenth and 15th centuries. Christina Normore attracts on an array of works of art, archival files, chroniclers’ money owed, and cookbooks to re-create those occasions and think again the past due medieval visible tradition during which banquets have been staged. dinner party members, she indicates, constructed subtle methods of appreciating creative ability and getting to their very own tactics of belief, thereby forging a courtroom tradition that extremely joyful within the workout of good aesthetic judgment.

Challenging glossy assumptions in regards to the nature of inventive creation and reception, A banquet for the Eyes yields clean perception into the lengthy historical past of multimedia paintings and the advanced relationships among spectacle and spectators.

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A Feast for the Eyes: Art, Performance, and the Late Medieval Banquet by Christina Normore

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